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The Augmented 7 - The Augmented 7 flac album

The Augmented 7 - The Augmented 7 flac album Performer: The Augmented 7
Title: The Augmented 7
Style: Folk
Released: 1959
MP3 album: 1711 mb
FLAC album: 1179 mb
Rating: 4.3
Other formats: MIDI MP2 DXD MOD AA WAV MMF
Genre: Folk / World music

The augmented seventh chord, or seventh augmented fifth chord, or seventh sharp five chord is a seventh chord composed of a root, major third, augmented fifth, and minor seventh (1, 3, ♯5, ♭7). It can be viewed as an augmented triad with a minor seventh. When using popular-music symbols, it is denoted by +7, aug7, or 7♯5. For example, the augmented seventh chord built on C, written as C+7, has pitches C–E–G♯–B♭: The chord can be represented by the integer notation {0, 4, 8, 10}.

Matrix, Runout (A-Side Label): G8-OP-3181. Matrix, Runout (B-Side Label): G8-OP-3182. Matrix, Runout (Runout Side A): GB OP 3181-1 A7. Matrix, Runout (Runout Side B): GB OP 3182-1 B1. Matrix, Runout (A-Side Runout Etching (Variant)): G8 OP3181 -1A A1 R.

If the title of Madame X, Madonna’s fourteenth studio album due out June 14, reflects the complex, multifaceted nature of her pop aesthetic, so will the way in which the full-length is unfurled. There’s already been Medellín, the mid-tempo, multi-lingual Latin pop confection alongside Colombian heartthrob Maluma released last month, as well as its opulent, cinematic music video for the track, which clocks in at nearly seven minutes

An augmented major seventh chord is a maj7 chord with the 5th note raised by one half-step (one fret), to produce the interval on that chord shape. Since this chord is built by altering a maj7 chord, you can theoretically use a major augmented 7 chord in place of any maj7 chord when playing tunes, just be aware that it will create tension when substituted for the more smooth-sounding maj7 chord.

The augmented seventh chord Play (help·info), or seventh augmented fifth chord, or seventh sharp five chord is a dominant seventh chord consisting of an augmented triad with a minor seventh. Thus, it consists of a root, major third, augmented fifth, and the minor seventh. Thus in the key of C major it would be C, E, G♯, and. B♭ as in the figure One chord scale option for a C augmented dominant seventh chord (C E G♯ B♭ Play (help·info)) is the C whole tone scale: C D E F♯ G♯ A♯/B♭ Play (help·info).

In music theory, an augmented sixth chord contains the interval of an augmented sixth, usually above its bass tone. This chord has its origins in the Renaissance, was further developed in the Baroque, and became a distinctive part of the musical style of the Classical and Romantic periods. Conventionally used with a predominant function (resolving to the dominant), the three more common types of augmented sixth chords are usually called the Italian sixth, the French sixth, and the German sixth.

Because the augmented major seventh chord has a major seventh as its intervallic component, this contributes to its major quality. This is because the quality of third and seventh determines the quality of chord and not just the third. So the augmented major seventh is a major chord because of the quality of seventh it is built with. It is clear from our analysis that the augmented major seventh chord is an unstable major chord that spans seven degrees from its root. Chord formation of the augmented major seventh chord can be approached using several techniques. However, in today’s lesson, I’ll be sharing three common chord formation techniques. Let’s get started with the first one – the scale approach. Scale Approach to the Chord Formation of the Augmented Major Seventh Chord. So how do we form the augmented major seventh chord using a scale?


A1 Man, Man Is For The Woman Made 1:35
A2 Jamaica Farewell 2:45
A3 I Wanna Get Married 1:20
A4 My Funny Valentine 1:30
A5 Kisses Sweeter Than Wine 2:45
A6 We'll Be Together Again 1:35
A7 Man Smart, Woman Smarter 3:42
A8 I'll Close My Eyes 1:53
A9 Little Brown Jug 2:25
A10 Out De Fire 2:05
A11 I Married An Angel 1:25
A12 That's All 1:55
B1 You Can Go 2:10
B2 Gamblin' Man 4:02
B3 Nora 2:18
B4 I'm In The Jailhouse Now 1:25
B5 Peanut Vendor 1:50
B6 Swingin' On A Star 3:48
B7 Chocolate Whiskey 1:47
B8 Yes, Yes, Yes 2:20
B9 Linstead Market 2:15
B10 Lord Got Tomatoes 2:10
B11 Adios 1:40

Companies, etc.

  • Record Company – Carillon Records, Inc.
  • Manufactured By – Carillon Records
  • Pressed By – RCA Records Pressing Plant, Rockaway


  • Cover – S. D. Rubelman, W. P. Reimann
  • Producer – Elliott H. Kone


Artist on front cover: The Augmented 7
Artist on back cover: The Augmented Seven Of Yale
Artist on labels: The Augmented Seven

Barcode and Other Identifiers

  • Matrix / Runout (A-Side Label): KO8P-2984
  • Matrix / Runout (B-Side Label): KO8P-2985
  • Matrix / Runout (A-Side Runout Etching): KO8P-2984-1 A1 R
  • Matrix / Runout (B-Side Runout Etching): KO8P-2985-1 A1 R