Tomás Luis De Victoria – Stile Antico - Tenebrae Responsories flac album
Title: Tenebrae Responsories
MP3 album: 1576 mb
FLAC album: 1526 mb
Other formats: MMF AHX AIFF MP2 MOD DXD DMF
Tomás Luis de Victoria, as much as Palestrina, exemplified the musical ideals of the Catholic Counter Reformation: soberness, simplicity, and text intelligibility. In fact, he might represent those values even more than Palestrina, who forged large, multi-register structures that sometimes obscured the text. But this version, by the 12-voice English choir Stile Antico (the one that collaborated with Sting.
Composed By – Tomás Luis De Victoria. Engineer – Brad Michel. Ensemble – Stile Antico. Producer – Robina G. Young. Soprano Vocals – Helen Ashby, Kate Ashby, Rebecca Hickey. Rights Society (Société Civile des Producteurs de Phonogrammes en France): SPPF. Matrix, Runout: Sony DADC A0102988137-0101 18 A00. Mastering SID Code: IFPI L558.
Born in 1548, Tomás Luis de Victoria received his early musical training as a chorister of Avila Cathedral under the tutelage of Gerónimo de Espinar and Bernardino de Ribera – the latter of whom can be counted amongst the greatest Spanish composers of his generation. Victoria was probably around seventeen when he travelled to Rome to continue his education at the Collegio Germanico . The responsories set here are part of the much longer office of Tenebrae, which essentially combined the monastic hours of Matins and Lauds for each of the last three days of Holy Week, the triduum sacrum. Tracklist: Tomás Luis de Victoria (1548 - 1611).
Judas mercator Tomás Luis de Victoria; Stile Antico. 3. III. Unus ex discipulis meis Tomás Luis de Victoria; Stile Antico. 4. IV. Eram quasi agnus Tomás Luis de Victoria; Stile Antico. 5. V. Una hora Tomás Luis de Victoria; Stile Antico. 6. VI. Seniores populi Tomás Luis de Victoria; Stile Antico. 7. Incipit lamentatio Jeremiæ Tomás Luis de Victoria; Stile Antico. Good Friday Responsories, Second and Third Nocturns. 8. I. Tamquam ad latronem Tomás Luis de Victoria; Stile Antico. Tomás Luis Victoria honed his compositional skills in the office of Tenebrae which was known to provide fertile ground for composers of sacred music. Victoria's sacred compositions display unparalleled expressive power and amply justify his reputation as the greatest polyphonist of the Spanish Renaissance. The Tenebrae Responsories come from a larger collection of polyphonic music for Holy Week, the Officium Hebdomadae Sanctae, which Victoria published in 1585, assembling a number of pieces he had written during his years in Rome.
Album · 2013 · 18 Songs. Responsories for Maundy Thursday, Nocturn 2: III. Unus ex discipulis meis tradet me hodie. Responsories for Maundy Thursday, Nocturn 3: I. Eram quasi agnus innocens. Responsories for Maundy Thursday, Nocturn 3: II. Una hora non potuistis vigilare mecum.
Only 15 left in stock (more on the way). Only 20 left in stock (more on the way). These Responsories, performed by world-renowned vocal ensemble Stile Antico, display unparalleled expressive power and amply justify his reputation as the greatest polyphonist of the Spanish Renaissance. Orchestra: Stile Antico. Composer: Tomás Luis de Victoria. Audio CD (April 13, 2018).
Recorded at All Hallows' Church, Gospel Oak (North London) England, February 13-17, 2017. Robina G. Young, producer; Brad Michel, engineer. The composers of stile antico music declined to embrace the emerging Baroque stylistic trends of increasingly elaborate ornamentation and more complex (and freer) counterpoint. Stile antico composers regarded the works of older composers (especially Palestrina) as ideals that could not be surpassed-a position that was still being put forward (believe it or not) even as late as the 1870s (at least in the realm of sacred music. .
|Maundy Thursday Responsories - Second And Third Nocturns|
|3||Unus Ex Discipulis Meis||2:26|
|4||Eram Quasi Agnus||3:06|
|7||Plainsong: Incipit Lamentatione Jeremiae Prophetae||3:33|
|Good Friday Responsories - Second And Third Nocturns|
|8||Tamquam Ad Latronem||3:39|
|9||Tenebrae Factae Sunt||4:27|
|10||Animam Meam Dilectam||4:35|
|12||Jesum Tradidit Impius||3:03|
|13||Caligaverunt Oculi Mei||4:28|
|14||Plainsong: De Lamentatione Jeremiae Prophetae||3:42|
|Holy Saturday Responsories - Second And Third Nocturns|
|15||Recessit Pastor Noster||3:00|
|16||O Vos Omnes||3:05|
|17||Ecce Quomodo Moritur||3:26|
|18||Astiterunt Reges Terrae||2:05|
|21||Plainsong: De Lamentatione Jeremiae Prophetae||4:08|
|22||Motet: O Domine Jesu Christe||3:43|
- Phonographic Copyright (p) – Harmonia Mundi Musique s.a.s.
- Recorded At – All Hallows, Gospel Oak
- Made By – Sony DADC – A0102988137-0101
- Alto Vocals – Eleanor Harries, Emma Ashby, Katie Schofield
- Bass Vocals – Matthew O'Donovan, Simon Gallear (tracks: 7, 9, 14, 19, 21), Thomas Flint, Will Dawes
- Composed By – Tomás Luis De Victoria
- Engineer – Brad Michel
- Ensemble – Stile Antico
- Producer – Robina G. Young*
- Soprano Vocals – Helen Ashby, Kate Ashby, Rebecca Hickey
- Tenor Vocals – Andrew Griffiths , Benedict Himas* (tracks: 7, 9, 14, 19, 21), Ross Buddie, Thomas Kelly
NotesRecording: 13 - 15 February 2017, All Hallows' Church, Gospel Oak
℗ 2018 harmonia mundi musique s.a.s.
Made in EU.
Digipak, 28-page booklet.
Barcode and Other Identifiers
- Barcode (Scanned): 3149020227220
- Label Code: LC 7045
- Rights Society (Société Civile des Producteurs de Phonogrammes en France): SPPF
- Matrix / Runout: Sony DADC A0102988137-0101 18 A00
- Mastering SID Code: IFPI L558
- Mould SID Code: IFPI 94V6