» » Tom Pooks - Speicher 37

Tom Pooks - Speicher 37 flac album

Tom Pooks - Speicher 37 flac album Performer: Tom Pooks
Title: Speicher 37
Style: Minimal
Released: 2006
MP3 album: 1453 mb
FLAC album: 1817 mb
Rating: 4.2
Other formats: ASF AUD WMA AAC MP1 AU RA
Genre: Electronic

Tom Pooks ‎– Speicher 37. Label: Kompakt Extra ‎– KOM EX 37. Series: Speicher – 37. Format: Vinyl, 12", 45 RPM. Country: Germany. Matrix, Runout (Etchings Side B): KOM EX 37 B MPO K SST. Label Code: LC 12012.

Speicher 37. Tom Pooks. And as a producer he's proven just as hot. Following releases on labels you know (see OVUM, INTEC and TERMINAL M), he now arrives on board as a guest on our KOMPAKT vessel SPEICHER. TOM POOKS relays an adeptness you immediately hear, His A-side DOCKER cleverly winds around the dancers legs.

Album · 2006 · 11 Songs. Speicher 32 - 37 Various Artists. 12 Songs, 1 Hour 17 Minutes. Speicher 37. Kompakt Extra Germany. Cat: KOMEX 37 Released: 19 June, 2006 Genre: Techno. What is Album Only? Some artists and labels prefer certain tracks to be purchased as part of an entire release. 12" Vinyl D. Kompakt Ex 37. Docker. Minimale Technorocker mit hohem Säureanteil und Spassfaktor !!

TOM POOKS (Ovum, Kompakt, Intec, Beziers FR) native of Beziers in southern France, he discovered electronic music in 1992 during a trip to Rachdingue, the mythical club of Salvador Dali near Rosas in Spain Tom Pooks' biography. German electro don Martin Eyerer has a debut solo album


A Docker 7:34
B Pablo Assan's 9:02

Companies, etc.

  • Pressed By – MPO
  • Lacquer Cut At – SST Brüggemann GmbH


  • Lacquer Cut By – K*
  • Music By – Tom Pooks


Mastered at Schallplatten Schneid-Technik Brüggemann GmbH.
Pressed at MPO Averton.

Barcode and Other Identifiers

  • Barcode: 8 80319 02561 7
  • Matrix / Runout (Etchings Side A): KOM EX 37 A MPO K SST
  • Matrix / Runout (Etchings Side B): KOM EX 37 B MPO K SST
  • Label Code: LC 12012

Comments: (1)
Docker is unbelievable tech house insanity. Has a very lazy, pumpin' feel to it, consisting of mostly minimalesque, dark, gloomy elements. My friend played this one in a concrete-walled warehouse around 12:30am just as things were picking up and it completely tore the roof off. There's a huge build at the end where the treble increases to the point where you're completely enveloped in this wall of high frequency sound, and just when you can't your ears can't take it anymore the bassline drops back in and destroys everything.